August 14, 2013 - She’s been slowly making waves on the London music scene for the past few years but Bumi Thomas’ latest performance, at North London venue, Th...
Brixton’s intimate Knight Webb gallery is currently home to a solo exhibition by Adjani Okpu-Egbe, an Afro-Expressionist whose work’s bright colours and cheery ...
Review: A Season in the Congo
No one comes up smelling of roses, except Patrice Lumumba in the Young Vic’s production of A Season in the Congo, Aime Cesaire’s ...
WOMAD 2013: Mauritanian singer-activist Malouma's range of performances made her the absolute highlight of the festival
Now in its 31st year – WOMADUK – The a...
The Proust Questionnaire: Africa Writes
Alongside his father, Ngugi wa Thiong'o, Mukoma wa Ngugi was the main speaker at the Royal African Society's, 2013 Afric...
Rufus Norris’s production of The Amen Corner promises to be a summer glory for The National Theatre. It shimmers with the best of James Baldwin's writing, repl...
Power Hungry Nigeria seeks Investors
Matatu thinks Nigeria seems to be getting serious about its electricity supply. Through a joint venture between the fede...
Dipo Agboluaje: From Early morning cleaners to Established Class Warrior
The most poignant point in my interview with Dipo Agboluaje happened off-stage- so to...
Conference Notes: Oxford University Pan-African Conference – Was This Africa 1.01?
Attendees at the Oxford University Pan-African conference in 2012 talked abo...
Review: Yael Farber’s Mies Julie at Riverside Studios
Yael Farber’s Mies Julie which will soon ends its very successful run at the Riverside Studios in London...
