Just as his major exhibition on Nigerian Monarchs closes in London, Dele Meiji Fatunla interviews George Osodi, one of the leading lights of this generation of ...
Ahead of The Circle Art Agency's major auction of East African Art, Wanja Kimani, artist and writer, caught up Danda Jaroljmek, one of the agency's directors an...
Walking through the galleries of 1:54, London’s first contemporary African Art Fair, everything is so beautifully organized, you would be forgiven for thinking ...
A blockbuster exhibition of art by African artists is coming to a website near you on October 18th; curated for The Auction Room’, the online auction house, by ...
Review: A Season in the Congo
No one comes up smelling of roses, except Patrice Lumumba in the Young Vic’s production of A Season in the Congo, Aime Cesaire’s ...
The Proust Questionnaire: Africa Writes
Alongside his father, Ngugi wa Thiong'o, Mukoma wa Ngugi was the main speaker at the Royal African Society's, 2013 Afric...
Rufus Norris’s production of The Amen Corner promises to be a summer glory for The National Theatre. It shimmers with the best of James Baldwin's writing, repl...
Power Hungry Nigeria seeks Investors
Matatu thinks Nigeria seems to be getting serious about its electricity supply. Through a joint venture between the fede...
Dipo Agboluaje: From Early morning cleaners to Established Class Warrior
The most poignant point in my interview with Dipo Agboluaje happened off-stage- so to...
Conference Notes: Oxford University Pan-African Conference – Was This Africa 1.01?
Attendees at the Oxford University Pan-African conference in 2012 talked abo...