The foyer could barely conceal what only a few minutes later would happen.
One thousand people filled the Barbican’s majestic theatre in order to listen to o...
Food for thought from the Africa Business Summit
1. Beyond the Hype: The Not-For-Tourists Guide to Investing in Africa
The London Business School’s 13th ...
In Senegalese director Ousmane Sembène's Ceddo (1977), a village king embraces Islam and, with the support of a cruel imam, tries to force all his subjects to c...
Whether by intent or design, the Gate Theatre’s latest production, The Rise and Shine of Comrade Fiasco manages to evoke the feeling of being trapped in a priso...
Death may be a hemlock-filled goblet falling from your hands. Death may be a stained-glass window flying off its ancient frames in reaction to an exploding bomb...
After gaining such critical acclaim, it may be churlish to strongly critique Celine Sciamma’s efforts, but, watching Girlhood it didn’t take long for me to feel...
It is now a near-cliché, but it is the truth; African literature is undergoing a renaissance. The reader who loves fiction is enjoying an embarrassment of riche...
“Gravity”, a digital art exhibition was recently launched in Nairobi. It sought to interrogate the different expressions and understandings of the colour black....
Mbongwana Star’s gig in Oval Space on the Sunday night after Halloween was packed; the night was all the more vibrant courtesy of a resilient crowd: they weren’...
Secret History of Las Vegas by Chris Abani – A Review
So called serious novelists who decide to write in genres are like any number of gods who, displeased w...